Related Paintings of unknow artist :. | A Woman standing before an entrance to a house | Portrait of Adam Naruszewicz with a book | Portrait d'homme en costume polonais, une pipe a la main. | La Somme le Roy | Classical hunting fox, Equestrian and Beautiful Horses, 085. |
Related Artists:
Niccolo di Pietro Gerini
Italian Painter, active ca.1368-1415 died in Florence in 1415, earned reputation of an important Italian painter. He represents giottesque school, in the tradition of the Andrea di Orcagna (1320-1368) and of Taddeo Gaddi. His father Pietro Geri is registered as a member of Lucas Guild in 1339. Niccolo worked mainly in Florence, although he also carried out commissions in Rome (Vatican), Pisa and Prato. He was first recorded in 1368 as a member of the Arte dei Medici e Speziali in Florence but is identifiable with the Niccolo dipintore who collaborated with Jacopo di Cione on frescoes for the Guildhall of the Judges and Notaries in Florence in 1366. It is self-evident that he is the Niccolaio dipintore who worked with Jacopo di Cione on the altarpiece of the Coronation of the Virgin (presently in London, National Gallery) for St Pier Maggiore, Florence in 1370 and was paid 12 golden florins per disegnare la tavola dell altare in November of the same year. He designed the altarpiece and the elaborate throne canopy with his usual fine painting and detailed ornaments whilst Jacopo di Cione was depicting side saints. This altarpiece is amongst of very few largest commissioned in 14th century Florence. It was seemingly commissioned by Albizzi family. He was collaborating with Jacopo di Cione on Coronation of the Virgin (Accademia, Florence) in 1372. Offner and Steinweg suggest that he was responsible for the design and fine painting and Jacopo for the execution of saints. It was commissioned by the mint of Florence Zecca Vecchia on the same year. In 1383 Gerini again worked with Cione on a fresco of the Annunciation in the Palazzo dei Priori, Volterra. This fresco clearly shows the work of two very different artists: Niccolo di Pietro Gerini (design and very fine painting) and Jacopo di Cione (broadly painted saints and side decoration). In 1386 Niccolo frescoed the façade of the Bigallo, Florence. He also frescoed Sant Ambrogio church in Florence Gerini performed the Crocefissione of St Felicita church in Florence. His hand is clearly on sacrestia of the basilica of Saint Croce to Florence with Scenes of the life of Christ. Between 1391 and 1392 he worked in Prato where he frescoed Palazzo Datini, church of Saint Francisco with Lorenzo di Niccolo and Agnolo Gaddi. He also frescoed capitolare of the church of Saint Francisco, Pisa. Very typically for Gothic depiction Gerini figures have large chins, sloping foreheads, and sharp noses whilst their bodies are squat and frontally displaced. Another important artist Lorenzo di Niccol?? di Martino was trained in Niccol?? di Pietro Gerini workshop and later collaborated with the master but was not his son as sometimes erroneously stated. Gerini though had a son Bindo di Niccolo di Pietro Gerini, born in 1363, who is registered as member of Lucas Guild since 1408. Niccolo di Pietro Gerini works can be found in major art galleries of Rome, Vatican, Florence, London, Milan, New York, Los Angeles, Amsterdam, Berlin, Paris, St Petersburg, Boston, Cambridge, Budapest, Birmingham, Pegalo, Prato, Pisa, Altenburg, Avignon, Denver and several other museums.
Benson, Frank
American, 1862-1951 American painter, etcher and teacher. He attended the School of the Museum of Fine Arts, Boston, from 1880 to 1883 as a student of Otto Grundmann (1844-90) and Frederick Crowninshield (1845-1918). In 1883 he travelled with his fellow student and lifelong friend Edmund C. Tarbell to Paris, where they both studied at the Acad?mie Julian for three years with Gustave Boulanger and Jules Lefebvre. Benson travelled with Tarbell to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. When he returned home, Benson became an instructor at the Portland (ME) School of Art, and after his marriage to Ellen Perry Peirson in 1888 he settled in Salem, MA. Benson taught with Tarbell at the Museum School in Boston from 1889 until their resignation over policy differences in 1913.
Sylvester Feodosiyevich Shchdrin
painted Terrace on the Seashore in 1828